Stephen Coles graduated from Alfred University with an MFA
in sculpture in May 2010. Born in the United Kingdom, it was through a series
of conferences and symposia based around cast iron art that led Coles, to the
United States, and eventually to Alfred University. Having always had a keen
interest in creative practices Coles started his artistic career by enrolling
in a National Diploma in Fine Art at Arts University College Bournemouth,
Bournemouth (UK). This then led to Coles studying his BFA in sculpture at The
West Wales School of the Arts, Carmarthen (Wales). It was whilst studying at
his BFA that he first came into contact with metal casting, and more
importantly, attended the 5th International Conference on
Contemporary Cast Iron art in Ironbridge (UK) in 2006. This conference
instilled an appreciation of cast iron as a material within his own sculpture
practice, and furthermore led to his interactions in the United States.
'Lobsters and Gentleman' Cast Bronze Iron Cupola during MFA performance at Alfred Univeristy 2010 |
Artist Statement
My work and its concurrent themes are often changing,
especially when I consider the various bodies of work throughout my artistic
career to date. It is true to say that in more recent investigations the work
has developed more of an ambiguity. This being said there are some recurring
issues that appear to underpin the work such as ideas surrounding humour,
absurdity and identity.
I have always responded more to art that has tried to convey
a message without preaching or approaching the subject in a condescending
manner. I find that humour is one method of playing off of the publics’
emotions that can really generate a conversation, and dare I say, even bring
around action albeit indirectly.
Secondly and I feel this is far more prevalent is that of the
idea of absurdity in my artwork and how I try to reflect the absurdity of the
culture in which its inception has come about. After all we’re all told that
our current lifestyles are unsustainable, and yet people seem happy to try to
keep the status quo and ignore the white elephant (polar ice cap) in the
room. I find the whole futility of this
paradox a fascinating one and if I can draw attention to it, and instill some
sort of debate about it, then perhaps something may come about through those
actions, otherwise I say I may as well enjoy the ride whilst it lasts.
1 comment:
I was at Ironbridge with you Stepen, also Alfred Alum. Love the cupola, my students and I built one similar back in 2006 at WVU. Great stuff-
Jeremy Entwistle, '98
entwisjj.com
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